About Me
- Kevin
- By day I'm a propeller-head geek. I design software for electronic components for a major automotive supplier. When I'm not earning a paycheck, I enjoy playing music -- primarily jazz and classical but I dabble in other genres as well. I also compose, arrange, and play with electronic gadgets and toys. My other hobbies include photography, colored pencil drawing, genealogy, model railroading, and crosswords.
Thursday, May 19, 2005
Coming Soon
Two Become One
Monday, April 25, 2005
New PDA
Wednesday, April 20, 2005
Moog
Robert Moog has some interesting insights on the nature of invention. His views are decidedly spiritual or meta-physical when he talks about the man-machine connection he experiences with electronic equipment and that musicians experience with their instruments. He states that this connection is really bidirectional: not only does the player control the instrument but the instrument, in some manner, retains memory of the player and thus exerts a force on the musician.
The name "sythesizer" is often presumed to be derived from the premise that the generated sounds are synthetic (and, somehow, not real). Bob debunks this notion, claiming that the name comes from the fact that the sound is sythesized, or combined, from various modular components. Indeed, he says, the sound produced is very real.
I was most impressed by the performance of a young Japanese musician playing a theramin. I've never heard that instrument played with such accuracy. The lyrical impression of a cello was expected but the intonation was impeccable. I would not have believed the demonstration of a stacatto walking bass line in the jazz idiom, complete with triplet "kicks", had I simply heard it without the visual.
Tuesday, April 19, 2005
Morning Drive
Friday, April 15, 2005
Palm Disaster
The mysterious amnesic event occured on Saturday. I had just referenced the address book on Friday and noted that the battery meter indicated about 50% (is that half full or half empty?). Saturday, while driving my wife's car to a family event, I placed the Palm on the center console. When I later accessed the device to check my schedule, I thought it odd that the digitizer calibration screen was active. And after re-calibrating the touch screen, I discovered that everything was gone. Hard reset.
I suspect the culprit was an EMF (electro-magnetic field) strike. My wife's car is a Saab with the ignition switch in the center console, only centimeters away from where I placed the Palm. The vehicle's key is not a normal mechanical one but rather a plastic fob with RF-tag technology. It's quite possible that a sizeable EMF could be generated when the ignition switch "reads" the key's information. Some of my colleagues who work with key fobs concur.
I've recovered most of the data (addresses, appointments, notes) from a six-month-old backup but all of the 3rd party applications I used to have are lost. Since I first loaded those applications onto the Palm, I've restaged the computer I sync with and I forgot to save the PC copies of those applications. So I'm now on a quest for useful free applications.
One neat thing I found was a compact Bible (with a special reader) from Olive Tree Bible Software, Inc. (www.OliveTree.com). The entire King James Version consumes only 1.4M. Other versions are available, some free and some for sale. The reader features a word search (no need for concordance!) as well as the ability to store your own notes attached to verses. If you want to fill up memory, multiple bible versions can be loaded simultaneously and can even be viewed side-by-side (one over the other, actually) in a split screen mode.
Reading Review
- Manifold: Time by Stephen Baxter
- Poetics of Music by Igor Stravinsky
- The Gift of Change: Spiritual Guidance for a Radically New Life by Marianne Williamson
- Time's Eye (A time Odyssey, Book 1) by Arthur C. Clark and Stephen Baxter
- The Brethern by John Grisham
- The Broker by John Grisham
- The Diamond Age by Neal Stephenson
- Snow Crash by Neal Stephenson
- Cryptonomicon by Neal Stephenson
- The Da Vinci Code by Dan Brown
- State of Fear by Micheal Crichton
- Theory of Harmony by Arnold Schonberg
- The Journey of Desire: Searching for the Life We Only Dreamed of by John Eldridge
- Study of Counterpoint by J.J. Fux
- Jazz Composition and Orchestration by William Russo
- The Mastery of Love by Miguel Ruiz
- The Four Agreements: A Practical Guide to Personal Freedom by Don Miguel Ruiz
- The Five People You Meet In Heaven by Mitch Albom
Friday, February 25, 2005
Moving Music
During my morning drive to work, I listened to two powerfully emotional songs -- one by Bob Brookmeyer and his New Art Orchestra and the other by Maria Schnieder, a one-time student of Brookmeyer.
American Tragedy, performed on the 2002 album Waltzing With Zoe. The liner notes claim that this is not about the terrorist attack on the Twin Towers (it was recorded before that event) but about the Supreme Court decision in the 2000 Bush v. Gore election. It's a dark, moody, somber piece in a minor key that can almost make me cry with sadness.
Hang Gliding, on the album Allegresse, is a rhythmically ingenious invention depicting the flight of a pair of hang gliders. The alternating measures of 6/8 and 5/8 create a sense of excitement and a feeling of precarious balance on the verge of falling. A trumpet solo over extremely sparse accompaniment portrays the solitude of floating through the atmosphere. I always feel exhilarated when I hear this piece.
Monday, February 21, 2005
Jam Sessions
Every other Wednesday, I make the trip to Baker's with a horn or two and participate in the open jam session. The use of Fake books during the jam is frowned upon so I've been focusing on memorizing the most-requested standards in my practice sessions. The likes of On Green Dolphin Street, Autumn Leaves, Have You Met Miss Jones, There Will Never Be Another You, and Just Friends get called quite often at Baker's. Every time a tune is called that I don't know, I add it to my "to learn" list. Some nights, there are quite a few vocalists who want to sing a couple of tunes and these are usually easy enough to blow through a chorus or two whithout having to know the head. After having spent a few years honing my improvisation skills with Jamey Aebersold play-alongs, I thought I was ready to mix with the "big boys" at Baker's. I've been visiting the jam sessions for about nine months now and have gotten some favorable compliments on my sound and style from listeners and musicians alike.